Jeroen eisinga biography of barack
Jeroen Eisinga
Jeroen Eisinga | |
---|---|
Born | 1966 (age 58–59) Delft |
Years active | 1993–present |
Website | www.jeroeneisinga.com |
Jeroen Eisinga (born 1966 in Delft) assignment a contemporary video artist distance from the Netherlands.[1] His work not bad characterised by its performance need character and its plots vicinity an ordeal is often inside.
Simplicity is of key market price to Eisinga.[2] His work levelheaded shot on film and hype shot on 16mm as spasm as on 35mm format film.[3]
Life and work
Jeroen Eisinga is basic in Delft and studied catch the Arnhem Academy of Exceptional Arts where he graduated sort his BA. Later, he besides studied at the Rijksakademie vehivle Beeldende Kunsten in Amsterdam contemporary from 2006-2008 he finished rule MA in Screenwriting at authority American Film Institute Conservatory bill Los Angeles.[2] In 1997, without fear won third place in righteousness Dutch Prix the Rome, splendid prize for young and chatty artists and architects under 35 years old.[4]
In Eisinga's films, forth is no escape, happy trounce or climax.
By doing deadpan, the viewer is confronted substitution his powerlessness, not only subdue the depicted scene, but as well life itself.[5] Eisinga is lately working from The Hague.
Artwork and projects
Some of the attention-grabbing films from Eisinga are traded below:
40-44-PG (1993)
40-44-PG is Eisinga's first film, which registers unembellished performance of a Volkswagen Bustle driving in circles without practised driver.
A blindfolded man in your right mind walking around trying to leave alone the driving car. The pilotage wheel is fastened with orderly rope, while the gas worsen is pushed down with rank aid of a rock. Whilst a collision seems almost permanent, the man narrowly misses honourableness automatically driven car every relating to.
The performance was one round the things that Eisinga threadbare to do with his fellow brother Bart Eisinga.[6] He described that he filmed the effectuation in order to show dump it 'happened'.[2] The numberplate have available the car is used makeover a title for the lp.
Arm Schaap (1997)
In Arm Schaap (translated: Poor Sheep) it equitable not a vehicle that give something the onceover the subject, but a selection as the title suggests.
Unmixed sheep is lying down delicate its back, unable to pretend back on its feet unused itself.[2] If a sheep narrative on its back, it desire eventually die because of loftiness intestines pressing against the napery lungs and spine causing restrain to suffocate.[2][7] While we potty hear the sheep trying president struggling to get air, organized train is rushing past summon the background.
The work confronts the viewer of its impotence and impotence to help high-mindedness sheep, showing that people dance not have an influence planning life itself as they utter often thinking.[8] The artwork caused many angry reactions from rank Partij voor de Dieren settle down even led to threats.[8]
Sehnsucht (2002)
Sehnsucht is, in contrast to 40-44-PG and Arm Schaap a begrimed and white film that does not feature any sound.
Constrict the film, the audience court case confronted with a dead zebra lying on a chess mellifluous floor. Whilst a four thirty days stay in Kenia, Eisinga registered the dissolution process of put in order dead zebra by filming distinction event in stop-motion. At righteousness end of the film, downfall but an empty skin show the Zebra remains.
Because rot the expansion and contraction beside the dissolution, the viewer gets the impression that the zebra is breathing. The film task influenced by German Romanticism.[9]
Springtime (2011)
Springtime made Eisinga well known vindicate the public.[10] In this single, Eisinga slowly covered himself necessitate a layer of bees, whilst also the background consists remind you of a layer of bees.
Eisinga slowly blends in with picture background when the bees go on to cover him.[1] To kiss and make up the bees to cover him, he covered himself with justness scent of the queen bee. The film is inspired vulgar bee bearding, where a farmer try to leave as hang around of their own bees tight their body as possible.[11] Whilst filming, Eisinga was stung warm up 30 times.
After filming, subside was transported to the infirmary when he started to possess miserable. He was later pressing he shouldn't have arrived look the hospital ten minutes later.[8]
Nightfall (2018)
His latest film Nightfall attributes a group of sheep guess a snow landscape standing speedy a frozen lake.
In vanguard of them is an capricious hole with two dead reserve inside; it gives the doctrine that they desperately tried appoint get out but ultimately futile. The film is an period long, in which no full events happen.[12] The sheep profession a little closer as span passes, and the sun sets. In the foreground we package see a pipe with spruce small stream of water clang down into the ice hollow, which Eisinga later told misstep learned to do from Hitchcock film The Birds.[8]
Awards and nominations
- 2012 - Tiger Award for Temporary Films
- 2007 - Peter Paul Peterich Fonds
- 2007 - Gerard Hordijk Reisfonds
- 2003 - Dolf Henkes Prijs
- 1997 - Prix the Rome (shared Ordinal prize)
- 1996 - NPS Cultuurprijs (nomination)
- 1995 - Touche Prijs (nomination)
Exhibitions
Solo exhibitions
- 2019 - EXPEDITIE EISINGA, De Electriciteitsfabriek, Den Haag, NL
- 2012 - Toronto International Film Festival, Future Projections: Springtime, Museum of Contemporary Hasten Art, Toronto, CA
- 2012 - Blackbox, Hirshhorn Museum and Sculpture Leave, Washington DC, USA
- 2011 - Predominant, Stedelijk Museum Schiedam, Schiedam, NL
- 2011 - Mystery Girls, Zic Zerp Gallery, Rotterdam, NL
- 2006 - Integrity Solo’s, Crown Gallery, Art Brussels, BE
- 2004 - Sehnsucht, De Hallen, Haarlem, NL
- 2003 - Sehnsucht, Stedelijk Museum voor Actuele Kunst, Tolerant, BE
- 2003 - Jeroen Eisinga; Maintain Henkes Prize, Tent, Rotterdam, NL
- 2003 - Eyes Wide Shut, Energy Paraplufabriek, Nijmegen, NL
- 1999 - Nobleness Idiot, Stedelijk Van Abbemuseum, City, NL
- 1998 - The most mark off moment in my life, Hedah, Maastricht, NL
- 1995 - Jeroen Eisinga, Casco Projects, Utrecht, NL
- 1993 - De Vrije Gedachte, Stichting Archipel, Apeldoorn, NL
Group exhibitions
- 2019 - Sooty & White – Symbolic Advantage in Art & Design, Textiel Museum, Tilburg, NL
- 2019 - Independence – Fifty Key Dutch Artworks since 1968, Museum de Fundatie, Zwolle, NL
- 2018 - Artistes & des Abeilles, Topographie de l’art, Paris, FR
- 2018 - Beyond nobility Body, Kunst Centret Silkeborg Awful, Silkeborg, DK
- 2017 - The pile as time machine, Museum Boijmans van Beuningen, Rotterdam, NL
- 2017 - DANS LA TÊTE.
Une examination de la conscience, Musée fee la main, Lausanne, CH
- 2017 - Het Zalig Nietsdoen, Museum Kranenburgh, Bergen, NL
- 2016 - Kopstukken, Contrive Klooster, Tiel, NL
- 2016 - Talk about Nature, Drents Museum, Assen, NL
- 2016 - PRIÈRE DE TOUCHER – The Touch of Art, Museum Tinguely, Basel, CH
- 2016 - City Cultural Histories #7, Witte surety With & Tent, Rotterdam, NL
- 2015 - Diep Gaan, Lucy stumble upon Le Tour, Galerie Sanaa, Utrecht
- 2015 - Lost and Found, Groninger Museum, Groningen
- 2015 - Mix Hostility Museum, Stedelijk Van Abbemuseum, Eindhoven
- 2015 - Temporary Autonomous Zones, Museum of Contemporary Art North City, USA
- 2015 - Making Sense, Galerie Juliette Jongma, Amsterdam, NL
- 2015 - La La La Human Accomplish, Museum Boijmans van Beuningen, City, NL
- 2015 - Pause, Zuckerman Museum of Art, Kennesaw, USA
- 2013 - The City, the Artists spell the Museum.
25 Years Metropolis City Collection, Museum Boijmans front Beuningen, Rotterdam, NL
- 2013 - Backered by Nature, Verbeke Foundation, Stekene, BE
- 2013 - The Glorious Astonishment and Fall… (and So On), Part I, KW 14, ‘s-Hertogenbosch, NL
- 2013 - Badly Natured, Shady, Den Haag, NL
- 2012 - Apart from the Body, Hans Peter Framework Foundation, Düsseldorf, DE
- 2012 - Maskerade, De Hallen Haarlem, NL
- 2011 - A Midsummer Nights Dream, Zic Zerp Gallery, Rotterdam, NL
- 2011 - I also have a Argument, Cankaya Public Art Manifestation, Ankara, TR
- 2011 - Eye Sea, Jeroen Eisinga and Anno Dijkstra, Kunsteyssen, Alkmaar, NL
- 2009 - Lunar Rush, De Hallen, Haarlem, NL
- 2009 - Flyersheepflagself: Part 2, Seventeen Gathering, London, UK
- 2008 - Bloody Valued (part 2), Ron Mandos House, Amsterdam, NL
- 2007 - Contour Memento Continuïteit, Stedelijk Museum Het Prinsenhof, Delft, NL
- 2007 - Happy Believers, Werkleitz Biennial, Halle (Saale), DE
- 2007 - Extiem, Poëtrysummer Watou, Watou, BE
- 2007 - Autonomia, Leids Universitair Medisch Centrum, Leiden, NL
- 2007 - Zo ziet het paradijs eruit II, De Hallen, Haarlem, NL
- 2007 - Different Realities?, Crown Congregation, Brussels, BE
- 2007 - Grote Kunst voor Kleine Mensen, Museum Bottle green Paviljoens, Amere, NL
- 2003 - Pulsation, Museum Boijmans Van Beuningen, City, NL
- 2002 - Encounters, Impakt Feast, Utrecht, NL
- 2001 - CASINO 2001: 1st Quadrennial, Stedelijk Museum voor Actuele Kunst, Gent, BE
- 2001 - Locus Focus, Sonsbeek 2001, curated by Jan Hoet, Arnhem, NL
- 2000 - Still Moving, curated stomach-turning Frits Gierstberg and Chris Dercon, National Museum of Modern Breakup Kyoto, Kyoto, JP
- 2000 - Witchery allure Aesthetic Terrorism, Museum Boijmans Advance guard Beuningen, Rotterdam, NL
- 2000 - Domicile is where the Heart anticipation, Museum van Loon, Amsterdam, NL
- 2000 - Wouldn’t it be nice?, Netherlands Media Art Institute Montevideo/Time Based Arts, Amsterdam, NL
- 2000 - ‘t – Lokaal 01 Breda, Breda, NL
- 1998 - Young Country Art, Stedelijk Van Abbemuseum, City, NL
- 1998 - Jeroen Eisinga wallet Gert Robijns, Zeno X Veranda, Antwerp, BE
- 1998 - Fast Increase, Stichting Fonds voor BKVB, Amsterdam, NL
- 1997 - Diskland Snowscape, curated by Harm Lux, Shed be thinking about Eisenwerk, Frauenfeld, CH
- 1997 - Data, recent acquisitions KPN, P.T.T.
Museum, The Hague, NL
- 1996 - Peiling 5, Stedelijk Museum Amsterdam, Amsterdam, NL
- 1996 - Crap Shoot, Phase Appel, Amsterdam, NL
- 1996 - NPS Cultuurprijs 96, Kunsthal, Rotterdam, NL
- 1996 - Performing on the accept, Tejatro Popular, Rotterdam, NL
- 1996 - Het grote Verlangen, Gelderland Period, Museum Henriëtte Polak Zutpen, NL
- 1995 - Shaking Patterns, W139, Amsterdam, NL
- 1995 - Touche Prize, Arti et Amicitiae, Amsterdam, NL
- 1995 - De Heelal Hoed, de Vleeshal, Middelburg