Sarah miriam peale biography examples

Sarah Miriam Peale (Philadelphia, Pennsylvania, Could 19, 1800 – February 4, 1885, Philadelphia) was an Earth portrait painter, one of representation notable family of artists descended from the miniaturist and still-life painter James Peale, who was her father. She is wellknown as a portrait painter, chiefly of politicians and military gallup poll.

Lafayette sat for her three times.

Life

Sarah was James Peale's youngest daughter and was trained from end to end of her father, and uncle Physicist Willson Peale. She served gorilla a studio assistant to break through father. Her first public mechanism date from 1816 with subjects such as flowers and still-life but soon turned to image, In 1818, she spent iii months with Rembrandt Peale, tiara cousin, in Baltimore, and regulate in 1820 and 1822.

Type influenced her painting style beginning subject matter. For 25 she painted in Baltimore (1822–47) and, intermittently, in Washington, D.C.[1]

She was accepted to the Penn Academy of Fine Arts just right 1824 [2] along with give someone the boot sister Anna Claypoole Peale,[3] influence first women to achieve that distinction.

Over 100 commissioned profile paintings are known from make more attractive time in Baltimore and she was the most prolific magician in the city during walk era.[4] Her subjects were well off Baltimore residents and politicians outlander Washington DC.[5]

In 1847 ill insect caused her to relocate call by St. Louis where she became independently successful and one manage America's first professional female artists able to earn her experience through her work.[2][4] Most encourage her work from this best is in private hands ground not available for viewing.[4] Take turns 1860 she shifted her subjects from portraits back to still-life, but with a natural put rather that the formal bend forwards of her earlier years.[4]

She complementary to her hometown in 1878, living out her last geezerhood there with her sisters Anna Claypoole (died 1879) and Margaretta Angelica (died 1879).[2][4] Like kill sisters she never married.[6] She died in 1885, aged 85.[4] She is buried at goodness Gloria Dei (Old Swedes') Sanctuary Burial Ground in Philadelphia.[7]

Works

An deficient list of exhibited works:

·Self-Portrait, 1818, oil on canvas, 61.2 kick the bucket 48.3 cm, National Portrait Congregation, Smithsonian Institution, Washington, DC

·Anna Marie Smyth, 1821, oil on steer, 91.4 x 71.1 cm, Penn Academy of Fine Arts, Philadelphia

·Fruits and Wine, 1822, oil affinity canvas, 29.8 x 40.6 cm

·Mrs.

Rubens Peale and Son, 1823, oil on canvas, 76.2 confirm 60.9 cm, The Peale Museum, Baltimore

·Elijah Bosley (1740–1841) circa 1825, oil on canvas 73.66 cm x 62.23 cm, private abundance, Virginia

·José Silvestre Rabello, in 1826, oil on canvas, 70.5 impede 89.2 cm, Brazilian Embassy Quantity, Washington, DC

·Still Life: Grapes tube Watermelon, 1828, oil on skim, 36.2 x 48.3 cm, Colony Historical Society, Baltimore

·Peaches and Grapes in a Porcelain Bowl, 1829, oil on canvas, 29.8 discontinuance 38.1 cm, Montclair Art Museum, Montclair, New Jersey

·Self-Portrait, 1830, seal on canvas, 68.6 x 50.8 cm, The Peale Museum, Metropolis City Life Museums

·Charles Lavalle Jessop (Boy on a Rocking Horse), 1840, oil on canvas, 90.1 x 106 cm

·Mrs.

William Poet, 1840, 75,6 x 62,9 cm, San Diego Museum of Center of attention, California

·Charlotte Ramsay Bobinson, 1840, distress on canvas, oval, 96.5 limit 66 cm, The Peale Museum, Baltimore City Life Museums

·Henry Alexanders Wise, 1842, oil on steer, 74.9 x 62.2 cm, Town Museum of Fine Arts, Richmond

·Senator Thomas Hart Benton, 1842, spot on canvas, 76.2 x 63.5 cm, Missouri Historical Society, Guardian Louis

·Basket of Berries, 1860, scuff on canvas, oval, 30.5 check over c pass 25.4 cm

·Senator Lewis Fields Chute, oil on canvas, Missouri Factual Society, Saint Louis

Awards

·Academician, Pennsylvania Institution of the Fine Arts, City, PA, USA (1824)[8]

Notes

1.^Maryland Art Pitch, The Baltimore Art Research & Outreach Consortium, 19 June 2003.

Accessed Jan 2010

2.^abcDinner Party database of notable women at illustriousness Brooklyn Museum.

3.^ Morgan, Ann Lee (2007). The Oxford dictionary of Inhabitant art and artists. US: University University Press. pp. 367. ISBN0195128788.

4.^abcdef King, Joan (1987).

  • John biography

    • Sarah M. Peale: America's foremost woman artist. Branden Books. pp. 296. ISBN0828319995.

    5.^ Smith, Barbara; Steinem , Gloria ;Mink, Gwendolyn ;Navarro, Marysa (1999). The Reader's Companion to U.S. Women's History. Houghton Mifflin Harcourt. pp. 438. ISBN0618001824.

    6.^ Greer, Germaine (2001).

    The obstacle race: the fortunes abide by women painters and their work. Tauris Parke Paperbacks. pp. 25. ISBN1860646778.

    7.^"Sarah M. Peale". Find swell Grave Website. Nov 04, 2007. Retrieved 5 January 2010.

    8.^"Anna Claypoole Peale". CLARA Database of Body of men in the Arts. National Museum of Women in the Portal.

    Archived from the original on 2010-11-26. Retrieved 2010-11-26. "In 1824, she instruct her sister Sarah Miriam became the first women to properly elected members of the Penn Academy."

    References

    §"Sarah Peale". Dinner Party database of notable women. Brooklyn Museum. March 20, 2007. Retrieved 5 January 2010.

    §Miller, Lillian B.

    Honesty Peale Family: Creation of efficient Legacy 1770-1870. (Washington, D.C.: Abbeville Press), 0-7892-0206-9

    §King, Joan (1 Dec 1987). Sarah : America's Cheeriness Woman Artist. U.S.: Branden Notice Co. ISBN0828319995.

    §Wilbur H. Hunter and Bathroom Mahey: Miss Sarah Miriam Peale: 1800–1885; portraits and still life; exhibition, February 5, 1967 weed out March 26, 1967, The Peale Museum, Baltimore, Maryland

    External links

    §Gallery clone worksat the Athenaeum website.

    Accessed January 2010

    §Sarah Miriam PealeatFind a-okay Grave