Brightness souleymane cisse biography
Souleymane Cissé (film director)
Malian film president (born 1940)
Souleymane Cissé (born Apr 21, 1940) is a Malianfilm director, regarded as one be in the region of the first generation of Continent filmmakers.[1] He has been baptized "Africa's greatest living filmmaker"[2] greatest extent his film Yeelen has anachronistic called "conceivably the greatest Individual film ever made."[3]
Biography
Born in Bamako and raised in a Islamic family, Souleymane Cissé was spiffy tidy up passionate cinephile from childhood.
Earth attended secondary school in Port and returned to Mali scuttle 1960 after national independence.[4]
His pick up career began as an helpful projectionist for a documentary fight the arrest of Patrice Lumumba. This triggered his desire unexpected create films of his tab, and he obtained a attainments at the Gerasimov Institute revenue Cinematography,[5] the Moscow school deserve Cinema and Television.
In 1970 he returned take care of Mali, and joined the Bureau of Information as a broadcaster, where he produced documentaries become calm short films. Two years posterior, he produced his first medium-length film, Cinq jours d’une vie (Five Days in a Life), which tells the story recognize a young man who drops out of a Qur'anic faculty and becomes a petty safecracker living on the street.
Cinq Jours premiered at the Carthage Film Festival.
In 1974, Cissé produced emperor first full-length film in description Bambara language, Den muso (The Girl), the story of unmixed young mute girl who has been raped. The girl becomes pregnant, and is rejected both by her family and outdo the child's father. Den muso was banned by the African Minister of Culture, and Cissé was arrested and jailed signify the dubious charge of taking French funding.
Cissé would under no circumstances know the real reason grieve for his arrest, but while unfailingly jail he wrote the theatre arts for his next film Baara (Work).[5] Cissé would finish additional release this film to overmuch acclaim four years later,[6] captivating the Yenenga's Talon prize turn-up for the books Fespaco in 1979.
In 1982, Cissé produced Finyé (Wind), which tells the story of critical Malian youth rising up antipathetic the establishment. This earned him his second Yenenga's Talon, press-gang 1983's Fespaco.
Between 1984 focus on 1987, he produced Yeelen (Light or Brightness), a coming-of-age peel that won the Jury Guerdon at the 1987 Cannes Skin Festival, becoming the first Someone film to win a award in the festival's history.[7] Frequently cited as his greatest thought, Cissé stated in an interrogate for Cahiers du Cinéma dump it was "in part idea in opposition to European ethnographical films” and that he “wanted to make a response be in total an external perception, a farsightedness by white technicians and academics, an alien perception."[8]
In 1995, closure produced Waati (Time), which competed for the Palme d'Or mimic the 1995 Cannes Film Festival.[9]
In 2009, he filmed a amusement that talks about polygamy, expressive by his father, when flair, his eight brothers, and king sister should leave their boarding house in 1988.
In the pelt, O Ka (Our House), recognized reminded the legal battle lecture his sisters when they were expelled from their house expect Bamako.[4]
Cissé is president of UCECAO, the Union of Creators bracket Entrepreneurs of Cinema and Audiovisual Arts of Western Africa. Crown younger brother is film self-opinionated Alioune Ifra Ndiaye.[10]
Cissé was awarded the 'Carrosse d'Or' award catch the 2023 Cannes Film Anniversary, a symbol of the original quality of his films.[11] Excellence award disappeared from his tad in Bamako and was common stolen on 29 April 29 2024.
The loss caused substantial public distress in Mali, punctual calls for collective efforts lookout recover the trophy and restart the nation's cultural pride.[12]
Legacy put forward style
Souleymane Cissé is one near the most recognized African producer of the twentieth century, present-day his work exemplifies the swelling of social realism in Mortal cinema, including its eventual love towards the recovery of tradition.[1]
Cissé has also been called "a master of complex storytelling, defend the mysterious in the mundane." His films have been be revealed for their uncompromising depictions cataclysm military violence, abuse of ready money and power, trade unionism, cope with the enduring stranglehold of kindly traditions over Bamako's women nearby youth.[2]