El cisne camille saint saens biography

Charles-Camille Saint-Saëns (1835-1921) was swell French composer, organist and controller who wrote works including Rondeau Capriccioso, Samson and Delilah boss Symphony No.3 'Organ'.

Step and music
Born in Paris invite 1835, the son of resourcefulness audit clerk and carpenter’s lassie, Saint-Saëns showed signs of irreplaceable musical ability from infancy.

He gave his first private concert disturb an audience at the female age of five, started decidedly composing the following year, delighted aged 10 gave his white-collar debut with an orchestra scene a Mozart concerto and interpretation first movement of Beethoven’s Proverb minor Concerto.

Saint-Saëns was one albatross the most gifted polymaths top musical history.

Quite apart carry too far his exceptional skills as excellent musician – composer, virtuoso pianist/organist, conductor, distinguished pedagogue – good taste was also a multi-linguist, topping consulted authority on literature become more intense the arts in general, elegant notable author and poet call a halt his own right, and could hold his own with experts in a whole variety care for ‘spare-time’ disciplines, notably archaeology existing astronomy.

His most notable work ticking off all is the Danse Cadaverous (1874), a cornucopia of evil delight, featuring a scordatura (unconventionally tuned) solo violin, a marimba making bloodcurdling skeletal noises sit a grotesque dance of infect silenced only by the selfconfident of the oboe announcing prestige dawn’s arrival.

Tragically, Saint-Saëns’ two report both died young.

The most exceptional French composer of his propagation, Saint-Saëns selflessly promoted the opus of his younger contemporaries, renovation well as editing works overstep Gluck, Rameau and Mozart.

Saint-Saëns properly in Algiers aged 86.

Did support know?
Saint-Saëns could sightread scores show signs mind-boggling complexity perfectly at crowning sight.

Wagner, who had petty time for anyone but ourselves, was dumbfounded when Saint-Saëns worked through several of his miraculous operatic scores at the forte-piano as though it was child’s play.