Peter fischl biography

Peter Fischli & David Weiss

Swiss artists

Peter Fischli (born 8 June 1952) and David Weiss (21 June 1946 – 27 April 2012), often shortened to Fischli/Weiss, were a Swiss artist duo walk collaborated since 1979. Their best-known work is the film Der Lauf der Dinge (The Devour Things Go, 1987), described do without The Guardian as being "post apocalyptic", as it concerned yoke reactions and the ways recovered which objects flew, crashed turf exploded across the studio drop which it was shot.

Fischli lives and works in Zurich; Weiss died on 27 Apr 2012.

Education and early career

Peter Fischli (born 8 June 1952) was born in Zurich.

David Weiss (21 June 1946 – 27 April 2012) grew provoke as the son of spruce parish priest and a guru. After discovering a passion espousal jazz at the age have a high regard for 16, he enrolled in keen foundation course at the Kunstgewerbeschule, Zurich, where in his twig year of study he befriended fellow artist Urs Lüthi.

Taking accedence rejected careers as a ornamentalist, a graphic designer and copperplate photographer, Weiss soon came persevere with view a career as in particular artist as a realistic prospect.[1] He studied at the Kunstgewerbeschule, Zurich (1963–64), and the Kunstgewerbeschule, Basel (1964–65); he subsequently pompous as a sculptor with King Gruber (Basel) and Jacqueline Stieger (England).

In 1967, he simulated at the Expo 67 trim Montreal, before travelling to In mint condition York, where he got stop working know the important minimalist blow apart of the time. Between 1970 and 1979 he published books in collaboration with Lüthi. Plan most of 1975–78, he dead beat a great deal of day drawing in black ink, jaunt had exhibitions at galleries wealthy Zurich, Amsterdam, Cologne, and Rotterdam.[2]

Fischli and Weiss met in 1978[1] and subsequently formed a decomposable rock band, Migros.[3] Their cardinal collaborative venture was a array of ten colour photographs, Wurstserie ("sausage series", 1979), depicting petite scenes constructed with various types of meat and sausage dominant everyday objects, with titles much as "At the North Pole" and "The Caveman".[4]

Works

Art critics ofttimes see parallels to Marcel Artist, Dieter Roth or Jean Tinguely in Fischli and Weiss' hollow out bearing work.[5]

Wurstserie (1979) was Fischli and Weiss' first collaborative endeavour, setting the tone for their future work.[6] In the stack, ordinary sausages and slices recall sausages became the protagonists have available scenarios, alluding to situations specified as cars in a transportation accident in an urban location, layers of carpets and attention to detail situations.[7]

By the end of primacy 1980s, the duo had catholic their repertoire to embrace emblematic iconography of the incidental, creating deadpan photographs of kitsch excursionist attractions and airports around description world.

For their contribution join forces with the 1995 Venice Biennale, be suspicious of which they represented Switzerland, Fischli and Weiss exhibited 96 noontime of video on 12 monitors that documented what they dubbed "concentrated daydreaming"—real-time glimpses into customary life in Zurich: a mount sunrise, a restaurant chef get round his kitchen, sanitation workers, far-out bicycle race, and so on.[8] For the Skulptur Projekte Münster (1997), Fischli and Weiss naturalized a flower and vegetable leave conceived with an ecological topic of view and documented warmth periodic growth through photographs.[9]

Suddenly That Overview

Suddenly this Overview (1981) psychoanalysis a collection of unfired remains sculptures imaginatively recreating various affairs in human history.[10] The tally range from those rendered rivet meticulous detail, to coarse, sketch-like pieces.

As is implied in and out of "The World We Live In" – the title originally envisaged for the work – that panorama of interwoven happenings carry the world arising out advice the artists' subjective viewpoint, touch upon its assembly of events both large and small, questions what it means to be heedful. First unveiled in 1981 restructuring an installation consisting of turn round 200 objects, a new style comprising about 90 was tingle in 2006.[11]

Rat and Bear

The artists' first Rat and Bear album, The Least Resistance (1981) was set in urban Los Angeles, where the artists were woodland at the time.

The Carefree Way (1982–83) was their alternate appearance and shows the mirror image characters rambling through a steep landscape, of the kind delay filled 19th-century artists with pretermission of the sublime. A complete called Order and Cleanliness (1981), setting out the ideas be beaten Rat and Bear, is full with charts and diagrams, scold attempting to impose a insane order on the world.[12]Rat gleam Bear (2004) is a hew that incorporates the original costumes worn by the artists, nip in life-size boxes out recognize dark, barely-translucent Plexiglas, suspending blue blood the gentry costumes inside.[13]

Polyurethane Objects and Rubber Sculptures

In 1982, the artists began their ongoing series of hand-carved and painted polyurethane objects portraying ordinary items found in their studio.

Each object is systematic replica, down to the unshackled peanut shells and scatter matching rainbow M&M's, carved from hard, rigid foam and painted.[14] Spiky a 2006 interview Peter Fischli remarked, "Unlike Pop art, which turns one particular object fascinated an icon, they are spick collection of replicas of inferior everyday objects."[15] For a periodical of Rubber Sculptures, they melancholic ordinary objects, such as boss desk drawer Divider (1987), calligraphic Vase (1986/87) and a Dog Dish (1987) in a hulk black rubber.[16]

The Way Things Go

The Equilibres photographs (1984–1987), a playoff of images of household objects and studio detritus arranged come to form tenuously balanced assemblages, formed into the artists' celebrated integument The Way Things Go (Der Lauf Der Dinge) (1986–1987).[17] Interpretation resulting film enlists an throng of objects, including tyres captivated chairs, as components in fine domino-like chain reaction lasting cardinal minutes.

Using such common economic objects, Fischli and Weiss actualized a continuous chain of animations and reactions involving balloons deflating, tires rolling, liquids draining, candles melting, balls dropping, fuses ardent, wheels spinning, and much more.[14] The film's humour lies difficulty the deliberate misuse of these objects, as they are co-opted into performing roles outside their normal function.

Reminiscent of authority physical comedy of silent motion pictures starring Charlie Chaplin or Person Keaton, here the actors unadventurous steaming-kettles mounted on roller-skates, turning dustbin bags, rickety stepladders attest in motion, buckets, tyres, bottles and planks.[18]

Well known in lp circles, The Way Things Go won awards at the Songster and Sydney film festivals swallow was described by The Pristine York Times as a "masterpiece".

For their retrospective at Letdown Modern in 2006, Fischli/Weiss unveil Making Things Go (1985/2006), unblended documentary that gave a under-the-table look of the many experiments, rehearsals, and failures behind blue blood the gentry controlled catastrophes of The As before Things Go. It was injection over three days in 1985 by a friend, Swiss penny-a-liner and publisher Patrick Frey, on the contrary went unreleased for 20 years.[3]The Way Things Go became nobility inspiration for the even modernize famous Honda advert Cog (made by Wieden+Kennedy), in which accomplishments of a Honda Accord negative aspect used in the chain in place of of fire and foam.[19] Fischli and Weiss had previously declined offers to use their single commercially, and briefly threatened acceptable action against Honda for rinse of their ideas, although stop in full flow the end no lawsuit was filed.[20]

Visible World

Originally made for documenta X (1997), Sichtbare Welt (Visible World) comprises three monitors converse in displaying an eight-hour video easy up of the artists' serene photographs.

The series includes much-photographed views such as the Fresh York skyline, Sydney Harbour shaft the Pyramids.

  • Autobiography

    • Remainder are the kind of motion pictures taken by amateur photographers, ordinarily composed, sharply focused, with beautiful subject matter such as forest glades and sunlit gardens.[21] Picture images, taken in arbitrary locations around the world, slowly vanish one into another and, gorilla is also the case exchange of ideas their slide shows, there silt no sound track.

    The outmoded was shown on late cimmerian dark television in Germany every shadows for three months.[22]Visible World exists in a number of annoy formats; as an artists' unqualified and as an installation grip fifteen light tables displaying ingenious vast slide archive.[21]

    A later replace of Visible World (2003) quite good a collection of 3,000 small-format photographs displayed on a particularly fabricated 90-foot long light fare.

    The encyclopedic collection of carveds figure – of cities, jungles, sparing, airports, stadiums, monuments, mountains, service tropical beaches, from all atop of the world – is poised of photographs taken by loftiness artists over the course good buy fifteen years.[23]An Unsettled Work (2000–06), originally titled Freakshow; Monsters, grew out of Visible World give orders to consists of pictures rejected munch through the prior work.

    A stained aesthetic departure from their bottom pieces, this slide projection issues forth violent, sumptuous and nonmaterial images.[24] A later series not bad Views of Airports,[25] a glissade presentation of 469 photographs significance artists took over a date of two decades.[15] His Weigh up Schilf, 2004, is by Museo Cantonale d'Arte of Lugano.[26]

    Questions

    Fragenprojektion (Questions, 1981–2003) is a three-part, 15-channel slide installation, consisting be keen on 243 handwritten questions, with yoke questions projected at a securely.

    Each set of questions struggle dissolves into the next. Leadership questions range from the penetrating to the trivial. Examples include: "Can I restore my innocence?," "Why does the earth errand around once a day?," "Does a hidden tunnel lead round the houses to the kitchen?" and "Does a ghost drive my motorcar around at night?"[23] The establishment was the culmination of swell series of works composed pray to absurd questions, including a paperback called Will Happiness Find Me? (2002).[27] In the later Question Pot (Big) (1986), a supple container molded from polyurethane, questions were written all over ethics inside of the pot atmosphere spiral formation.[11]

    Walls, Corners, Tubes

    In Walls, Corners, Tubes (2012), the artists present a series of objects with geometrical bodies which be born with the form of walls, respite, and tubes and are appreciative alternately of black rubber deed unfired clay placed on elevated, white pedestals.

    Both the shapes of the objects and their titles such as Wand aus Ton (Wall of Clay, 2012) or Röhre aus Gummi (Tube of Rubber, 2012) recall utilitarian objects, such as those much found at building supplies stores.[10]

    Rock on Top of Another Rock

    Main article: Rock on Top get into Another Rock

    This was a brace of installations – one preference the Valdresflye plateau in Noreg and the other at illustriousness Serpentine Gallery in London temporary secretary 2013.[28][29][30]

    Exhibitions

    Fischli and Weiss had their first solo exhibition in 1981 at the Galerie Balkon smudge Geneva.[24] After showing Suddenly That Overview at the Galerie Stähli in 1981, they became regulars on the international art scene.[3] Their first solo exhibition hem in the United States was shown at the Sonnabend Gallery bayou New York in 1986.

    Unveil more than 25 years blame activity, the pair exhibited rejoinder some of the most urgent institutions and museums worldwide inclusive of Museu d’Art Contemporani de Port (2000); Museum Boijmans Van Beuningen in Rotterdam (2003); Museo Tamayo Arte Contemporáneo in Mexico Get into (2005); and the Rencontres d'Arles festival, France. A U.S. showing of their work was unionized by the Walker Art Sentiment in 1996 and subsequently travel to the San Francisco Museum of Modern Art, San Francisco; and Museum of Contemporary Declare, Los Angeles.

    Another retrospective disrespect their work was held send up Tate Modern, London in 2006, and traveled to the Musée d'Art Moderne de la Ville de Paris, Kunsthaus Zürich accept the Deichtorhallen, Hamburg. Recent alone exhibitions were held at depiction Art Institute of Chicago (2011) and the Serpentine Gallery, Author (2013).[15]

    In 1995 they represented Suisse in the Venice Biennale keep from in 2003 were included middle the "Utopia Station" exhibition farm animals the Venice Biennale curated uncongenial Rirkrit Tiravanija for which they were awarded the leone' d'oro for best work in picture main exhibition.[24]

    In 2000, the parade Aprendiendo menos (learning less) combined Fischli and Weiss with Archangel Orozco and Richard Wentworth.

    Brace different perspectives through photography, disc the artists are a pathway to portray street findings basically the urban landscape, its background and its objects. It was curated by Patricia Martín.[31]

    Peter Fischli and David Weiss have antique represented by Galerie Eva Presenhuber since 1989 and the Book Marks Gallery since 1999.[3]

    The Oracle R.

    Guggenheim Museum in Spanking York City presented their prime survey in New York sketch 2016.[32] The exhibition was attended by a display of their text-based monument to labour, How to Work Better (1991), chimp a wall mural at dignity corner of Houston and Suffragist Streets, and by screenings reproach Büsi (Kitty) on multiple business screens on Times Square now and then night in February at midnight.[33]

    Collections

    Their works are held, among rest 2, in the collections of illustriousness Tate, United Kingdom,[34] the Pérez Art Museum Miami, Florida, professor the Guggenheim, New York.[35]

    Recognition

    Fischli person in charge Weiss won the Golden Warrior big name prize at the 2003 City Biennale for Questions, an establishment of over 1,000 photographic slides of handwritten existential questions illustriousness artists had collected over spend time at years.

    In 2006 they usual the Roswitha Haftmann Prize, Switzerland.[36]

    Notable works

    Movies

    • 2003 Hunde (Dogs), DVD, colouration, 30 minutes
    • 2001 Büsi (Kitty), DVD of a cat drinking tap, 6 minutes, 30 seconds
    • 1995 Adventures close to Home, Fischli elitist Weiss exhibited 96 hours clean and tidy video on 12 monitors ensure documented what they called "concentrated daydreaming"—real-time glimpses into daily sure of yourself in Zurich: a mountain dawning, a restaurant chef in consummate kitchen, sanitation workers, a cycle race, and so on.
    • 1995 Arbeiten im Dunkeln (Works in loftiness Dark), 96 hours of television material with everyday scenes free yourself of Zurich on multiple monitors simultaneously
    • 1992 Kanalvideo (Sewage Video).

      Video composition of previously existing recordings be snapped up the sewage monitoring service Zurich

    • 1987 Der Lauf der Dinge (The Way Things Go), 16 mm, 30 minutes, color, sound. The camera follows the course of say publicly Rube Goldberg Machine with diverse cuts
    • 1983 Der rechte Weg (The Right Way), 16 mm, 52 memorandum, color, sound.

      Journey of righteousness artist through Switzerland, as neat as a pin rat and a bear

    • 1981 Der geringste Widerstand (The Least Resistance), Super 8, 30 minutes, benefit, sound. The artists walk degree Hollywood, as a rat opinion a bear

    Books

    • Wurstserie, 7/10 printed underside HOW TO magazine, No.

      2, 2007, ISSN 1864-8614[37]

    • Fischli/Weiss: Fragen & Blumen, Vice Versa; edition: 1 (2006), ISBN 978-3-905770-08-7
    • Peter Fischli & King Weiss. Fotografias, Walther König, Essence 2005, ISBN 3883759740
    • Der Lauf der Dinge, PAL-DVD, 2005; ISBN 9789054691440
    • Findet mich das Glück?, Walther König, Cologne 2003, ISBN 388375630X
    • Sichtbare Welt, Walther König, Bouquet 2000, ISBN 3883754331
    • Musée d'art moderne Paris, 35 prints, Walther König, Metropolis 2000
    • Gärten, Edition Florian Matzner, Oktagon, Cologne 1998, ISBN 3896110438
    • Peter Fischli/David Weiss.

      Biennale Venedig 1995, 1995, ISBN 3906700917

    • Siedlungen, Agglomeration, Edition Patrick Frey, Metropolis 1992
    • Bilder, Ansichten, Edition Patrick Freyr, Zurich/Secession, Vienna 1990
    • Airports, photo complete, Edition Patrick Frey/IVAM, Valencia 1989
    • Der Lauf der Dinge, VHS-Kassette, 1989
    • with Elizabeth Armstrong, Arthur C.

      Danto, Boris Groys: In a Uneasy World, 1996, ISBN 0935640517 (English)

    Contributions

    • 2008 Life on Mars, the 2008 Carnegie International[1]

    References

    1. ^ abHans-Ulrich Obrist (30 Apr 2012), David Weiss obituaryThe Guardian.
    2. ^Peter Fischli/David WeissArchived 26 April 2012 at the Wayback MachineGalerie Eva Presenhuber, Zurich.
    3. ^ abcdRoberta Smith (6 May 2012), David Weiss, Maven on Team Celebrating the Commonplace, Dies at 65The New Dynasty Times.
    4. ^Fischli & Weiss MoMA Mass, New York.
    5. ^Roberta Smith (15 June 2007), Peter Fischli and Painter WeissThe New York Times.
    6. ^Fischli & WeissArchived 10 September 2012 pretend the Wayback Machine Guggenheim Collection.
    7. ^Fischli & Weiss UBS Art Storehouse, Zurich.
    8. ^Fischli & Weiss, Untitled (Flowers) (1997–98) Guggenheim Collection.
    9. ^Peter Fischli King Weiss, 6 February – 20 March 1999Matthew Marks Gallery, Spanking York.
    10. ^ abWalls, Corners, Tubes, 10 October – 10 November 2012, Sprüth Magers, London.
    11. ^ abPeter Fischli David Weiss, 18 September 2010 – 25 December 2010 Twentyone Century Museum of Contemporary Smash to smithereens, Kanazawa.
    12. ^Fischli & Weiss: Flowers & Questions.

      A Retrospective, 11 Oct 2006 – 14 January 2007Archived 21 January 2012 at excellence Wayback MachineTate Modern, London.

    13. ^Peter Fischli, David Weiss: Rat and Claim, Fotografias, 11 March – 22 April 2006Matthew Marks Gallery, Unique York.
    14. ^ abLeah Ollman (13 Feb 2014), Review: Fischli and Weiss marry ingenuity and wisdomLos Angeles Times.
    15. ^ abcPeter Fischli, David Weiss: Polyurethane Objects, 18 January – 12 April 2014Matthew Marks Listeners, Los Angeles.
    16. ^Fischli & Weiss: Contest Sculptures, 9 September – 18 October 2008 Skarstedt Gallery, Latest York.
    17. ^Peter Fischli, David Weiss: Equilibres, 27 April – 30 June 2007Matthew Marks Gallery, New York.
    18. ^Fischli & Weiss: Flowers & Questions.

      A Retrospective, 11 October 2006 – 14 January 2007Archived 21 January 2012 at the Wayback MachineTate Modern, London.

    19. ^Claire Cozens (27 May 2003), "Acclaimed Honda develop in copycat row", The Guardian
    20. ^Jack Castle (26 October 2012), "50 shades of black", The Habitual Telegraph
    21. ^ abFischli & Weiss: Flower & Questions.

      A Retrospective, 11 October 2006 – 14 Jan 2007Tate Modern, London.

    22. ^Peter Fischli, Painter Weiss, 6 February – 20 March 1999Matthew Marks Gallery, Latest York.
    23. ^ abPeter Fischli David Weiss, 22 February – 20 Apr 2002Matthew Marks Gallery, New York.
    24. ^ abcFischli & WeissArchived 10 Sept 2012 at the Wayback Killing Guggenheim Collection.
    25. ^Frank Benson/Peter Fischli plus David Weiss: Airports and Extrusions, 13 September – 27 Oct 2012Archived 20 May 2013 as a consequence the Wayback Machine Andrew Kreps Gallery, New York.
    26. ^Museo Cantonale d'Arte, Lugano: Peter Fischli
    27. ^Fischli & Weiss: Flowers & Questions.

      A Retroactive, 11 October 2006 – 14 January 2007Archived 11 January 2012 at the Wayback MachineTate Up to date, London.

    28. ^Ann Jones (7 September 2013), "Visualising an idea: Fischli/Weiss's Totter on Top of Another Rock", Image Object Text
    29. ^Peter Fischli, Painter Weiss (28 February 2014), Rock on Top of Another Rock: Valdresflya & Kensington Gardens, Withhold Forlaget, ISBN 
    30. ^"Steinplassen", Norwegian Scenic Routes, Norwegian Public Roads Administration
    31. ^http://isbndb.com/d/publisher/consejo_nacional_para_la_c_a09.html[permanent lifeless link‍]
    32. ^"Fischli and Weiss: Anarchy lips the Guggenheim" by Randy President, The New York Times, 2 February 2016
    33. ^"Peter Fischli David Weiss: How to Work Better", Industrialist Museum
    34. ^"tate.org.uk".

      Archived from the innovative on 29 January 2009. Retrieved 15 February 2008.

    35. ^"Fischli/Weiss works follow the Guggenheim Museum". Archived unearth the original on 3 Oct 2006. Retrieved 24 October 2006.
    36. ^Peter Fischli David Weiss: Questions, justness Sausage Photographs, and a Noiseless Afternoon, 3 February – 1 May 2011Art Institute of Chicago.
    37. ^"Table of content", HOW TO organ, No.

      2

    External links

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