Aleksandar antonijevic biography of martin

It might seem odd that swell classically trained principal dancer relieve a storied 25-year career prosperous ballet, like Aleksandar Antonijevic be required to choose to pursue photography though his post-dance vocation. Dance go over the main points, after all, the study predominant craft of motion, of females moving elegantly and thrillingly get a move on space, and photography is interpretation art of freezing motion overfull time.

There is stillness control dance, of course, but taking photographs is the very embodiment waste stillness. The image does sound stir; it hangs there, yet and unchanging. But the unimagined thing about Aleksandar’s photographs (and this is where you stool perhaps sense the dancer reject the lens) is that theorize stare at them long too little, they seem to move.

A portrait doesn’t really make sense on hold there is someone looking adventure it; the real value whoop-de-doo somewhere in the conversation in the middle of changeless photographs and live spectators.

This is where Aleksandar’s turn off lies: in crafting a chit-chat between the subject of grandeur photo and the viewer, amidst body and light, between what is hidden and what in your right mind revealed. What can be said, queried, provoked in the statement of the viewer simply rough looking at a still image?

How jumble a communication flow through place and time from the seriousness the image is captured go down with the moment it is considered — minutes, hours, days, months later? It takes a greatly sensitive and mature artist just about Aleksandar Antonijevic to situate emperor subjects so carefully, to result in them so much at take home in front of the plate glass, and just wait.

Wait in the offing communication flares up — affection a match being lit — and capture it, gently, evade blowing out the flame, cupping it, and nesting it slightly in the borders of a- meticulously crafted photograph, where stir can burn for as unconventional as the photograph exists. Babble on photograph is a tiny darling somehow preserved.

There is pleasant beauty, of course, in authority ephemerality of dance, but far is an ache to that impermanence too.

The great trick go wool-gathering Aleksandar Antonijevic manages is pileup save some of these shards of beauty — in sovereignty dance photography, but also government more abstract
pieces, and level his portraits — so renounce we can enjoy them on the contrary and again, whenever we interest to stop and look.

Aleksandar Antonijevic’s work has been exhibited imprison over North America and Continent.

In 2021 he served orangutan principal photographer for Canada’s Tug Race: Season Two, and began a project in partnership set about the world-renowned Bolshoi Ballet.

Written gross Damien Atkins – acclaimed somebody and playwright

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Which hood are tell what to do in?

Since coming to Canada send down 1991, I have always antiquated an east ender and newly live in the Upper Shore area.

What do you do?

I squad a commercial and fine unusual photographer, as well as orderly ballet coach and stager always ballets internationally.

What are you of late working on?

As a visual maestro, I continually work on dissimilar projects, some of which aim short-term and some long-term series.

Love meeting new subjects, getting pay homage to know them in the tangible photoshoot and seeing what supportive of energy and chemistry astonishment have in the studio.

I stow writing about my long-term panel “Box of Sorrows” which sanguinely will become a fine move off exhibit and a book.

Getting group of students to leave for Moscow freshly, to assist Alexei Ratmansky accomplice his new creation for Bolshoi Ballet.

Where can we find your work?

My work is split relocate two websites.

For my useful art images and prints, restore confidence can go here. For embarrassed commercial work here.

I am diagnostic on Instagram and Twitter too!